I found a quote today (which I can't believe I haven't read up until this point) that made me remember why I'm doing this. From No Intermissions: the life of Agnes de Mille by Carol Easton:
According to Trude Rittman, rehearsal pianist on Brigadoon, “Aland and Fritz didn’t trust Agnes. They though, ‘She is so much involved in the balletic aspects, she doesn’t have the whole show in mind.’ On every show, it was always a struggle for her. Rarely did she get what she needed-not just for herself but fro costumes, for whatever she needed for her dance! We used to say that we had to be doubly as good as men in order to make it in the male-dominated theatrical world. It was marvelous that we had each other to exchange our private jokes and comments about all these men for whom we worked. We used to talk about how ridiculous Lerner and Loewe sometimes were with their women. Incredible! Fighting over girls, fighting over divorced women. Always a crisis. They loved each other, couldn’t work with anyone else, but then they hated each other. Agnes was very often much stronger than these two men together. She would fight for her rights, and the creative aspects of certain things. They always felt. ‘She’s going overboard and ruining our show! It’s not her show, it’s our show!’ Nobody won; they compromised.”
Can we take a moment to thank Trude for so beautifully put into one sentence the impetus behind why I'm doing this and why no one knows about her... "We used to say that we had to be doubly as good as men in order to make it in the male-dominated theatrical world." There it is right there. I couldn't have put it better myself. Here she is, being totally brilliant, literally picking up these strands of music and filling them out into the reason we love these shows, and she had to work twice as hard just to make that happen. Think what she would have been doing if women weren't always forced to prove themselves. In the words of Trude Rittmann and John Adams both, "Incredible!"
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Saltpeter.
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