There's gotta be something better than this...

Woho! So I have got 3 chapters and 30 pages...if there was a good way of posting them I would but that's a lot of reading for anyway to do...
I'm writing out of frustration for a totally different reason now. My thesis proper is going very well. So far chapter one is a little rough (it is this vast overview that I feel needs to be trimmed). Chapter 2 is everything I know about her early life (her niece's email address bounced back so that's not a whole lot) and the ballet (which I could write a lot more about but honestly I'm not that knowledgeable in that area anyway). Chapter 3 could probably go on for days but I've ended it for now. It's an overview of musical theatre in the golden age, specifically all the various types of composers and what they do. The really cool thing is for vocal and dance arrangers I have these long lists that Trude compiled for a lecture or something so I know have this incredibly defined description of both of those roles with examples etc. I'm pretty proud.
So that's not what I'm worried about. What I'm struck with now is Trude! The One Woman Show. I've thought about this for some time and now that I have this weekly assigment in my "playcrafting and dramaturgy" class to creat an adaptation from a non-fiction source and describe it in a page and then give a sample of the script. So it's not like I even have to come up with the whole thing. And as soon as I got this assignment I knew that was what I wanted to do...but I can't think of how...that's much more difficult. I thought at first it should just be her..but I think that would miss out on stuff...and I still like the idea of having a pianist be symbolize the composers and play and the dancers doing bits of choreography and also symbolizing the choregraphers...but then I need a through line and I thought it would be fun to put me as the narrator...but now I just feel dumb. That is all. So I'll probably turn something dumb in and I feel dumb about that obviously...but I don't know if she's meant to be a show folks...that's all I'm saying. Oy.
The things I like most right now is a kind of overture that is a medoly of parts of scores she was responsible for...starting with Small House and ending with the big beautiful vocals at the end of Camelot.
Anyway.
Pins.
Pins.